a solo show by David Gremard Romero
“Xipe Totec”
from November 11, 2010 to January 8, 2011

David Gremard Romero was born in Southern California, 1975. Currently lives in San Francisco, CA..
The central preoccupation unifying all my work is an engagement with the practice of the old masters, particularly those of the Baroque and Rococo periods. Their perfection of craft, their exploration of narrative modes, and their explicit connection to history and politics are a source of continuing fascination and inspiration to my work. Embedding contemporary iconography and themes in a classical figurative craft, I seek to tease out the hidden relationships and continuities between classical art and current culture.

a special project by Tamara Kostianovsky
“MAGROROCCA” gallery from Milan and “YGallery” from New York are pleased to present a solo project of Tamara Kostianovsky
STEP09 - la piattaforma per la nuova arte
2° edizione
November 26/28, 2010
Museo Nazionale della Scienza e della Tecnologia Leonardo da Vinci - Milano.

Tamara Kostianovsky was born in Jerusalem, Israel in 1974 and grew up in Buenos Aires, Argentina.. She was awarded grants from NYFA (2009), the Pollock-Krasner Foundation (2008), the Pennsylvania Council on the Arts (2005), and was a finalist for the Pew Fellowships in the Arts (2005). Solo exhibitions include Black and White Gallery (2008), The Philadelphia Museum of Jewish Art (2006), and El Centro Cultural J.L. Borges, Buenos Aires, Argentina (2000).  Amongst other venues, her work has been included in group exhibitions at The Jewish Museum, NY, El Museo del Barrio, NY; Exit Art, NY; Socrates Sculpture Park, NY; The University of the Arts, Philadelphia, PA; and Pierre Menard Gallery in Cambridge, Mass. This year she received the 2010 Guggenheim fellowship.
 


a solo show by Tamara Kostianovsky March/April 2011
 


a solo show by Jill Sylvia May/June 2011
Jill Sylvia was born in Plymouth, Massachusetts in 1979,  and currently lives and works in San Francisco, California.  The artist use traditionally registries for the recording of financial data. These papers the past accommodate the data so that the accounting information are compiled for the analysis for profits and losses. It’s the material of the economy. The artists cut-hand and takes part in a process of removal of sweeps used after the compilation only leaving the skeletal architecture of the sheet, from which it’s possible to observe the evocative scultorea lightness, the empty one. The dumb origin transforms, rhythmically organized the full loads and the empty are like a scanner for time and space, the rigor persists, but it becomes rich of a sensual poetry.